The Oz Movies Catalog - Index. L. Frank Baum's Oz stories have been a fertile source for movie makers since the very beginning. This index is organized by original book title. Teller, and others as published in the Baum Bugle. Baum, Vol 2: 1, March 1. L. Frank Baum and the Radio Plays, by R. Mac. Fall, Vol 6: 2, Aug 1. In the Fairyland of Motion Pictures, by L. Frank Baum, Vol 6: 2, Aug 1. Ozian Adventures on the Silent Screen, by Dick Martin, Vol 6: 2, Aug 1. Silent Oz, by Michael Patrick Hearn, Vol 3. Winter 1. 99. 3Oz Film Revisited, by Marc Lewis, Vol 3. Winter 1. 99. 3Piglet Press Tour Guide. The Film Spectrum began as a labor of love in May 2005, and after years of obsessive research, launched in October 2011. Two months later, The Washington Post praised the site for offering 'lengthy, spirited reviews. The Wonderful Wizard of Oz is an American children's novel written by author L. Frank Baum and illustrated by W. Denslow, originally published by the George M. Hill Company in Chicago on May 17, 1900. It has since been reprinted on numerous occasions. The Wonderful Wizard of Oz, known in Japan as Oz no Mah. In Japan, the series aired on TV Tokyo from 1986 to 1987.
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Political Commentary and Opinion ! You should receive your first newsletter very soon. We're sorry, there was an error processing your newsletter signup. Breaking News for all booklovers and loyal customers of Bloomsbury Books. COMMONWEALTH Ann Patchett As a child, Franny’s life is. Dramatica Story Expert provides incredibly powerful tools for creating and analyzing stories. With its innovative new Gists interface, it enables anyone to harness. Patricia Neal presenting Best Foreign Language Film Oscar.Negative Images 'Brainwash' African Americans : NPRNEAL CONAN, host: This is TALK OF THE NATION. Im Neal Conan, in Washington. A look at the profound challenges faced by actress Patricia Neal and her husband, writer Roald Dahl, after Neal suffered a severe stroke. Homeland: Iraq Year Zero. NYT Critics’ Pick; Documentary; Directed by Abbas Fahdel. Longtime adman Tom Burrell argues that the longest- running, most successful propaganda campaign of all time is for black inferiority, from posters that advertised slaves for sale to the New Yorker's radical Obamas cover, unrelenting, powerfully persuasive efforts to promote what he calls the brand of black inferiority. Even today, for every positive image of African- Americans, he finds 1. After more than four decades in the ad game and induction into the Advertising Hall of Fame, Tom Burrell founded the Resolution Project, a nonprofit that promotes community- based media campaigns, and he has a new book out. So how do these images play out in your life? Our phone number: 8. Email us: talk@npr. You can also join the conversation on our Web site. Click on TALK OF THE NATION. Later in the program: How does productivity in your office change with the advent of March Madness? And also, the creator of . But first, Tom Burrell is with us from the studios of Chicago Public Radio, founder and former CEO of Burrell Communications and the author of . TOM BURRELL (Author, . CONAN: And your book is both descriptive and prescriptive, and we'll get to that second part in a bit. CONAN: But you bring special expertise, I think, on the imagery. I did not know, for example, that slave auction posters are amongst the earliest ads in American history. BURRELL: Well, you know, advertising came in many, many forms, including any form of communication, such as the Bible, text, posters, placards, and we could even consider the caricatures of African- Americans and salt and pepper shakers and banks as a part of advertising. They're basically images, images and words. They're very powerful. Images and words are very powerful, and they conveyed and carried out this whole idea of African- Americans being less than, not as good as: the myth of black inferiority. CONAN: And the concomitant myth of white superiority. BURRELL: And the concomitant myth. We were all sold a bill of goods: the myth of black inferiority. That was a myth that had to be created in order to justify slavery within a democracy. These two contradictions had to be reconciled, and the only way that they could come up with to reconcile it was to declare and then substantiate that these slaves were not human. So then you could say all men are created equal and move ahead. CONAN: A paradox contained in the single individual of Thomas Jefferson. You know, he said all men are created equal, and then he said Africans, by their very nature, are inferior to whites. CONAN: And I wanted to ask - we're asking our listeners to say: How did this play out in your life? And growing up there in Chicago, how did this play out in your life? BURRELL: Well, I grew up in the era of the New Deal, and we were very much subjected to learned helplessness. I mean, the idea of our inferiority was played out constantly by reinforcing the thought that we could not take care of ourselves. And that was played out in the media as we grew up, as I grew up with characters in movies who were buffoons, characters on the radio, whether they be Beulah or Amos and Andy, who were basically servants and clowns. We didn't see ourselves portrayed in a positive and powerful way growing up, and we basically heard that we were not as good as white people. CONAN: But was there a moment for you when you said, hey, wait a minute? When did the light dawn? BURRELL: Well, I have to say that the images had been so powerful, I was probably 4. I realized that the whole thing was a sham. You know, what you do is you kind of fake it till you make it. And you think, well, maybe either I'm the exception to the rule. Or you think that, well, maybe I'm not as good or as smart as people think that I am, and maybe I'll just keep trying to fool them. Then it comes - it dawns on you at some point in your life, perhaps, if you're lucky, that wait a minute. Of all of the images that I've been fed, all of the concepts that I have been taught to accept are false. It's false advertising. CONAN: And by that time, you'd been in the advertising business for a while. BURRELL: I'd been in the advertising business for almost 2. And, you know, the whole thing is that both for blacks and whites, this whole myth is internalized and some people live with it for their whole lives. CONAN: There were any number of - well, let me ask you specifically. In those first 2. BURRELL: That we created? BURRELL: Well, we were very fortunate that when I started the company in 1. African- American consumer market. So I basically had to study the African consumer market. So what we did that was totally unique, coming out of the black power movement of the late '6. I had come up with the phrase: Black people are not dark- skinned white people. And that was related to the idea that we came to this country in a way totally different from any other group, against our will and into servitude and into vilification and enslavement. And that shaped a lot of how we behave as consumers. CONAN: Give me a for- instance. BURRELL: A for- instance is we spend an inordinate amount of money, of the money that we make, on goods and services, primarily goods that we really don't have to have. We - and goods that are usually depreciated from the time that we get it, they start depreciating, especially automobiles. CONAN: Oh, so high- end automobiles or things like that. BURRELL: But - so you asked the question, well, why is it that we spend everything that we have on things that aren't going to appreciate for us? And the answer lies in the fact that when we came to this country, we were stripped of everything. We were stripped of our name, of our origin, of our language, of our religion. We lost contact with our families. And we lost our status as human beings because we came here and were deemed to be property, less than human. We were put on the auction block, and we were sold like cattle, okay? So in our attempt in a materialistic, capitalistic society, to gain somebody- ness, what do we do? In a materialistic society, we try to do it through getting stuff and owning stuff. And it's not a matter of buying things that we can't show off. It's all about things that we can show off, that basically are saying here, look at me, world. CONAN: Some people might point out that emancipation happened in 1. The great civil rights legislation of 1. Jim Crow, at least legally. Things have changed a lot, yet you say the stain of that experience in slavery continues many generations later. BURRELL: What we have to understand is that we aren't talking about ancient history. You know, we have slave narratives that were written in 1. So this whole idea that we're talking about ancient history, we're talking about a few generations ago. And these traditions, this inferiority that was drummed into us through the media, through propaganda, has passed down from generation to generation just like a favorite family recipe. So we haven't - you know, if you don't address issues, if you dont - if you have a cancer, if you have a tumor, you can't just wait for it to dissipate. It doesn't just go away. And you have this illusion of progress, you know, or even a delusion of progress, that just doesn't take away the fact that after all of the efforts that have been made, we are still, as a people, at the top of just about every bad list and at the bottom of just education, income, incarceration, out- of- wedlock childbirth, teen pregnancies, HIV, childhood obesity, infant mortality. I mean, just go through the list. And so you say, well, why is that? Well, it's because of the fact that we bought into the fact of our - the myth of black inferiority, and everybody else bought into that, as well, as well as the myth of white superiority. CONAN: Let's get some listeners in on the conversation. Email us: talk@npr. James on the line calling from San Antonio. JAMES (Caller): Yes, I'm about 2. I remember even as a kid, for me, most of - in the media, specifically TV and film, I mean, you have things like . And the Tyler Perry, you know, it's not politically correct to say, but I see the same thing there. And you sometimes have to look to white shows, if they decide to include black folks at all, they're a little bit more not cartoon characters. CONAN: Well, maybe you were too young, but . That's all I wanted to say. CONAN: I think Bill Cosby ran that show. But anyway, thanks very much. BURRELL: Yeah, Bill Cosby did run that show, and that's why it came out the way that it came out - very positive, you know. CONAN: We're talking about the myth of black inferiority. Tom Burrell's book is titled . How does these images play out in your life? Tell us your story: 8. Email us: talk@npr. It's the TALK OF THE NATION from NPR News. Im Neal Conan in Washington. Tom Burrell writes in his new book: The marketing of black inferiority and white superiority as building blocks for the founding of America is a chicken that has finally come home to roost. Click on TALK OF THE NATION. How do the images that focus on negative stereotypes of black Americans play out in your life? Give us a call, 8. Email us, talk@npr. And you can also join the conversation on our Web site. Click on TALK OF THE NATION. And let's see if we can go next to this is Patricia(ph), Patricia calling from Walnut Creek in California. PATRICIA (Caller): Yes, hi. PATRICIA: I love this this show really makes my head think. I need to think about this, because, Mr. Burrell, I think I'm brainwashed. I'm 5. 5 years old, and I'm a product of a military family. I was raised in born in St. Louis, raised in Fairbanks, Alaska, and in San Antonio, Texas. And as I grew up, the images that I saw were very I mean, I was totally embarrassed, totally angry. You know, forgive me, Buckwheat, Stepin Fetchit - I couldn't stand any of that. So I think I need to read your book because what happens for me when I see Tyler Perry and Madea, they make me laugh. You know, my mother is 8. Alpinestars. com Official Online Store . The State of Food Insecurity in the World 2015 (SOFI) reviews progress made towards achieving the internationally established Millennium Development Goal (MDG 1) and the 1996 World Food Summit (WFS) hunger targets and reflects. Regulatory information and history related to the Clean Power Plan for existing power plants. 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